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Through the years the UP Diliman Office of the Chancellor through UPD-OICA has supported artistic creation, research, and exploration of various art forms by faculty and student artists through commissioned works and creative grants. Find the partial list of these creative works below.

Photo	Title of the Creative Work	Artist/s	Description	Links
	Song Composition: KILOS ISKOLAR	Words by Reuel Aguila; Music by Verne Dela Pena; Performed by: UP Arco, UP Madrigal Singers, and Soloist MJ Egloso	A hymn written in 2013 as the University's tribute to the victims and survivors of the Yolanda typhoon. The song was also performed by the combined 270 voices of various UP choirs who came together for the benefit concert, Handel's Messiah in December 2013.	YouTube
	Music Video: KILOS ISKOLAR	Direction by Roselle Pineda; Editing by Loujaye Sonido	Music video of the song "Kilos Iskolar", a tribute to the victims and survivors of typhoon Yolanda. The video was presented during the UP Diliman Month 2014 benefit concert titled UPLift: Handog Sining sa Bayan.	YouTube
	Art Installation: LAYAG: PARANGAL KAY HANS HAACKE	Leo Abaya	This creative work is part of "Pride of Place/Boldness of Vision", an OICA art installation project for UP Diliman Month 2015. Leo Abaya’s Layag was exhibited in front of the Oblation. Harnessing natural and artificial wind power to create flow and wave, this site-specific installation alludes to the vigilant and revolutionizing spirit of the University in keeping honor, excellence, and freedom unfurled through the worst and the best of times.
	Art Installation: THE GRID	Ohm David	This creative work is part of "Pride of Place/Boldness of Vision", an OICA art installation project for UP Diliman Month 2015. Ohm David’s Grid was exhibited at the Academic Oval across the UP Theater. Stepping into The Grid leads one to many different paths, sometimes converging, diverging, more often fragmenting. Others take more time in traversing The Grid, by accident or by choice, while others just breeze through it. In the end, no matter how long and no matter which path one prefers, the journey instills the spirit to explore the possibilities beyond the exits, new opprtunities previously unseen and unknown. This is the very essence of the University as an Institution.
	Art Installation: SAN MAZINGER-Z AKA COPING WITH A COUPLE'S COPIOUS CONJUGAL CUPBOARD OF CURIOS, COPS, CUFFS, AND CORPSES	Toym Imao	This creative work is part of "Pride of Place/Boldness of Vision", an OICA art installation project for UP Diliman Month 2015. Toym Imao’s sculptural installation is the second of a three-part "Super Robot-Suffer Reboot Series." Using another religious icon, Michelangelo's Pieta as a take-off point, the artist depicts Inang Bayan carrying a fallen warrior in a Mazinger Z inspired armor
	Art Installation: PASSAGE	Ling Quisumbing	This creative work is part of "Pride of Place/Boldness of Vision", an OICA art installation project for UP Diliman Month 2015. Ling Quisumbing's Passage uses the posts that were once a part of the covered walk of the main library that was demolished. They are reconstructed at the academic oval in the exact proportions and dimensions as they were in their original location. The eight posts stand as markers and monuments of an era when one generation of students after another dreamt of endless possibilities in their youth.
	Song Composition: TAYOG NG HARAYA	Music by Krina Cayabyab; Lyrics by Jem R. Javier; Performed by Jeffrey Hidalgo	This theme song of UP Diliman Month 2016: Panahon ng Luwalhati was performed during the "Gabi ng Luwalhati: Seremonya ng Pagwawakas" (Closing Ceremonies) of UPD Month on February 26, 2016 at the UP Theater.	Facebook, YouTube
	Sansinukob Art Installation: ANG KAHANGINAN	Leo Abaya	The Sansinukob Art Installation exhibit featured seven visual artists from UP Diliman depicting Philippine stories about the origin of the sansinukob (universe). The exhibit is a glimpse of the ethno-astrology and ancient cosmology of Philippine cultures. The exhibit ran from 1 February to 15 March 2017 and was part of the UP Diliman Arts and Culture Festival 2017 This work by Leo Abaya depicts the Bagobo mythology of Lumabat and his journey to the heavens. The work was exhibited at the CMC Hill.
	Sansinukob Art Installation: ANG PAGBABALIK LUPA	Anton del Castillo	The Sansinukob Art Installation exhibit featured seven visual artists from UP Diliman depicting Philippine stories about the origin of the sansinukob (universe). The exhibit is a glimpse of the ethno-astrology and ancient cosmology of Philippine cultures. The exhibit ran from 1 February to 15 March 2017 and was part of the UP Diliman Arts and Culture Festival 2017 This work by Anton del Castillo is based on the story "Departure of the Gods" or separation of gods from men by the Kalinga. The work was exhibited at the University Amphitheater and was later transferred to its permanent location in front of the UP Carillon Plaza
	Sansinukob Art Installation: MEBUYAN SA IDALMUNON	Rita Gudino	The Sansinukob Art Installation exhibit featured seven visual artists from UP Diliman depicting Philippine stories about the origin of the sansinukob (universe). The exhibit is a glimpse of the ethno-astrology and ancient cosmology of Philippine cultures. The exhibit ran from 1 February to 15 March 2017 and was part of the UP Diliman Arts and Culture Festival 2017 This work by Rita Gudino is based on the story of Mebuyan, a multi-breasted Bagobo goddess, mother of the underworld. The work is located at the UP Lagoon.
	Sansinukob Art Installation: EMPTINESS	Junyee and Gerry Leonardo	The Sansinukob Art Installation exhibit featured seven visual artists from UP Diliman depicting Philippine stories about the origin of the sansinukob (universe). The exhibit is a glimpse of the ethno-astrology and ancient cosmology of Philippine cultures. The exhibit ran from 1 February to 15 March 2017 and was part of the UP Diliman Arts and Culture Festival 2017 This work by Junyee and Gerry Leonardo depicts the paradox wherein "Emptiness" is depicted through a large structural fabrication. The work was exhibited across the UP Faculty Center
	Sansinukob Art Installation: AGTAYABON	Leeroy New	The Sansinukob Art Installation exhibit featured seven visual artists from UP Diliman depicting Philippine stories about the origin of the sansinukob (universe). The exhibit is a glimpse of the ethno-astrology and ancient cosmology of Philippine cultures. The exhibit ran from 1 February to 15 March 2017 and was part of the UP Diliman Arts and Culture Festival 2017 This work by Leeroy New depicts Agtayabon, the peacemaking God in Mindanaon folklore that is a giant bird with a man's body. The work was exhibited at academic oval in front of the Vargas Museum
	Sansinukob Art Installation: LANGIT-NON	Reg Yuson	The Sansinukob Art Installation exhibit featured seven visual artists from UP Diliman depicting Philippine stories about the origin of the sansinukob (universe). The exhibit is a glimpse of the ethno-astrology and ancient cosmology of Philippine cultures. The exhibit ran from 1 February to 15 March 2017 and was part of the UP Diliman Arts and Culture Festival 2017 This work by Reg Yuson pays homage to Tungkong Langit, a Visayan god and is based on his story "Ang Tahanan ng Manlilikha ng Sansinukob". The work was exhibited at the Academic Oval across the UP Theater.
	Lawas Art Installation: PLEIADES 2 (Dakini, Inanna, Kali, Magdalene)	Agnes Arellano	Part of UP Diliman Arts and Culture Festival 2018 themed, “Kat(h)awan: Bodies, Culture, Society”, LAWAS is a three-person public art project. Agnes Arellano’s works center around the themes of Eros and the Sacred Feminine, exressed in sculpture of white plaster, tea-stained cast stone, or bronze. Parts are cast from her body then reassembled to depict figures derived from mythologies	View Gallery
	Lawas Art Installation: PUSOD	Mark Justiniani	Part of UP Diliman Arts and Culture Festival 2018 themed, “Kat(h)awan: Bodies, Culture, Society”, LAWAS is a three-person public art project. Mark Justiniani’s Pusod (Navel) is a reflective disc during the day and a marvel of coloured reflections at night. This work belongs to the infinity series and are informed by his longstanding interest in vision and optics, and the structures of space and time.	View Gallery
	Lawas Art Installation: PAGPAMULAK	Lee Paje	Part of UP Diliman Arts and Culture Festival 2018 themed, “Kat(h)awan: Bodies, Culture, Society”, LAWAS is a three-person public art project. Lee Paje's Pagpamulak means "to blossom." These are white painted concrete body parts that make a playground. Paje's art addresses issues of gender equality and world views perpetuated by ideologies	View Gallery
	Song Composition: UP PAMANTASANG HIRANG	Words and Music by National Artist Ramon Santos; Performed by the UP Symphonic Band	The piece is a homage to the University, being a bastion of learning and of being the country's guide and beacon to the future. It was premiered during the UP Diliman Arts and Culture Festival 2019: Lakad Gunita sa Lupang Hinirang - Paglulunsad	1:21:11 in video link YouTube
	Art Installation: NAGBABADYANG UNOS (THE GATHERING STORM)	Toym Imao	Ang disenyo ni Toym Imao ay bahagi ng UP Diliman Arts and Culture Month 2020. Ito ay batay sa mga naganap na barikada sa UP Campus sa gitna ng Diliman Commune noong 1971. Sa pagkakataon na iyon, ginamit ng komunidad ng UP ang mga silya, lamesa at mga kahoy upang depensahan ang unibersidad sa pagpasok ng mga pulis na nautusang sikilin ang kalayaan ng mga estudayante at guro ng UP. Sa likhang sining na ito, pinorma ang mga silya na nagmula sa mga silid aralan, linuknok sa makasaysayang AS Steps ng Palma Hall bilang espasyo ng moblisasyon at sama-samang pagkilos, at pinorma bilang ulap na magsisimbolo ng paparating na bagyo - isang metapora ng lumalaki at lumalawak na pwersa ng pakikibaka.
	Art Installation: ENGWENTRO (BARIKADA at MUEBLES)	Toym Imao	“enKWENTrO” is part of the UP Diliman Arts and Culture Festival 2021. It is a two-part art installation which consists of “Barikada” which is made of bamboo, repurposed condemned/old campus furniture, components from past installations that represents the protests and mobilizations that culminated in the siege of the university in 1971 during the Diliman Commune with the barricades that were set up by students and the UP community along the main portals of the campus. “Muebles” which means either furniture or apparatus are made up of around 50 upcycled class tables, student’s desks, chairs where sculptural relief and in the round components are embedded on the chairs that represent narratives from events leading to the Diliman Commune of 1971 “EnKWENTrO” is the 2nd phase of a proposed three year commemoration that started with “Nagbabadyang Unos” in 2020 and “Batas Militar” in 2022 for the 50th anniversary of the declaration of Proclamation 1081 placing the entire Philippines under Martial Law in 1972.	View Gallery
	Video Series: DILIMAN COMMUNE DOCUMENTARY SERIES	Direction: Josefina F. Estrella; Writer/s: Maynard Manansala; Assistant Director: Issa Manalo Lopez; Video Designer/Editors: Joyce Sahagun Garcia, Missy Alleah Darcen, Janno Castillo, Mark Drew Labrador, Iks Icay; Sound Design and Musical Scoring: J Laspuna	"Diliman Commune sa 50: Pagbabalik at Pagsulong"	Virtual Exhibit, Facebook, YouTube
	Video Series: DILIMAN COMMUNE DOCUMENTARY SERIES	Direction: Josefina F. Estrella; Writer/s: Maynard Manansala; Assistant Director: Issa Manalo Lopez; Video Designer/Editors: Joyce Sahagun Garcia, Missy Alleah Darcen, Janno Castillo, Mark Drew Labrador, Iks Icay; Sound Design and Musical Scoring: J Laspuna	Episode 1: Mga Putok	Virtual Exhibit, Facebook, YouTube
	Video Series: DILIMAN COMMUNE DOCUMENTARY SERIES	Direction: Josefina F. Estrella; Writer/s: Maynard Manansala; Assistant Director: Issa Manalo Lopez; Video Designer/Editors: Joyce Sahagun Garcia, Missy Alleah Darcen, Janno Castillo, Mark Drew Labrador, Iks Icay; Sound Design and Musical Scoring: J Laspuna	Episode 2: Ang Commune	Virtual Exhibit, Facebook, YouTube
	Video Series: DILIMAN COMMUNE DOCUMENTARY SERIES	Direction: Josefina F. Estrella; Writer/s: Maynard Manansala; Assistant Director: Issa Manalo Lopez; Video Designer/Editors: Joyce Sahagun Garcia, Missy Alleah Darcen, Janno Castillo, Mark Drew Labrador, Iks Icay; Sound Design and Musical Scoring: J Laspuna	Episode 3: Kung Paano Gumawa ng Babaeng Mandirigma	Virtual Exhibit, Facebook, YouTube
	Video Series: DILIMAN COMMUNE DOCUMENTARY SERIES	Direction: Josefina F. Estrella; Writer/s: Maynard Manansala; Assistant Director: Issa Manalo Lopez; Video Designer/Editors: Joyce Sahagun Garcia, Missy Alleah Darcen, Janno Castillo, Mark Drew Labrador, Iks Icay; Sound Design and Musical Scoring: J Laspuna	Episode 4: Boses ng Malayang Komunidad	Virtual Exhibit, Facebook, YouTube
	Video Series: DILIMAN COMMUNE DOCUMENTARY SERIES	Direction: Josefina F. Estrella; Writer/s: Maynard Manansala; Assistant Director: Issa Manalo Lopez; Video Designer/Editors: Joyce Sahagun Garcia, Missy Alleah Darcen, Janno Castillo, Mark Drew Labrador, Iks Icay; Sound Design and Musical Scoring: J Laspuna	Episode 5: Mga Bakas ng Pagsisimula	Virtual Exhibit, Facebook, YouTube
	Sound Art Installation and Virtual Exhibit: ATANG A SOUND PRAYER	Artists: Dayang Yraola, Rita Gudiño, Toym Imao, Stanley Yeyey Ruiz, Michael Shivers, and Wilson Lumbao, Jr.	Sa mga piling etnikong grupo ng bansa, ang atang ay isang paghahain, paghahandog ng banal na alay na nagsasanggalang sa masasama. Ang natatanging instalasyong ito, na bunga ng bayanihan ng mga artista ng UP, ay ilalagak sa isa pang ikonikong simbolo ng pag-aalay ng sarili sa bansa, ang Oblation. Ang "Atang" ay bahagi pa rin ng UP Diliman Arts and Culture Festival 2022—kaMALAYAn: Pamana ng GomBurZa.	Virtual Exhibit, View Gallery

The CCTGACH Outright Research and/or Creative Work Grant is envisioned to defray some expenses of the students in conducting research or producing a creative work/capstone project. A maximum of three recipients for each level ( i.e. undergraduate/bachelor’s, master’s and doctoral) is awarded annually. Find here the list of awardees and their theses/capstone projects.

Note: To learn more about a particular thesis/capstone project in the list, please send an email to cctgach_oica.upd@up.edu.ph

Name of Project Leader/Researcher	Title of Undertaking	College	Project Duration	Short Description of Undertaking	UPD CCTGACH No.
Maliwat, Patricia Mae Z. (Undergraduate)	College of Arts and Letters	Devising “Ang Lihim ni Lea” in Portraying Depersonalization Disorder and Cognitive Bhavioral Therapy	February 2023 to January 2024	Theatre as an art is already collaborative in nature but adding the process of devising to it adds another layer in terms of collaboration. Throughout the process, anyone participating in such types of productions are given the opportunity to chime in. While everyone has their own respective designations, everyone is also called a collaborator in building the world of plays taking on devising. Using this process, this study tackles devising a production using the children’s storybook “Ang Lihim ni Lea” written by Augie Rivera. In this study, the thorough process as this production was built from the first pre-production date up until its show date will be mentioned. In addition to this, the use of depersonalization disorder” as the play’s context and “physical theatre” as an added guide during rehearsals was discussed as to how they played vital roles in accomplishing this project.	2023-01
Lim, Leandro T. (Undergraduate)	College of Arts and Letters	LINUS (they/them): Performing Gender and Queer Embodiment in a Self-Revelatory Performance	February 2023 to June 2024	Linus (they/them) is a devised solo performance that focuses on queer embodiment and gender performativity. A self-revelatory performance is a form of drama therapy that probes current personal issues in need of investigation, healing or transformation through the creation of an original theatrical piece (Emunah 2016).	2023-02
Cañete, Jo Antonette M. (Undergraduate)	College of Mass Communication	Desilya	February to June 2023	Desilya seeks to bridge the gap between trauma and cinema through the integration of Bazin’s Theory of Realism and Meek’s Trauma Theory in Film. Through the stark differences exhibited between what was and what is in the reality of the film and between what should have been and what is in the filmmaker’s reality, the affective power of cinema creates an illusion of a presence that is manifestly an absence, ultimately pointing to the loss that is and the grief that has been. It is in cinema’s capacity to convey loss and absence through establishing what is present and actual that the filmmaker is able to tell a story of loss through a search.	2023-03
Bolata, Emmanuel Jayson V. (Master's)	College of Arts Social Sciences and Philosophy	Filipino Reception and Appropriation of Foreign Astronomical Knowledge, 1859-1958	February 2023 to February 2024	Aside from narrating the development of astronomical paradigms from precolonial to colonial periods, and the formation and the labours of institutions and individuals from colonial to postcolonial periods, the study also examines two specific themes in the phenomena of knowledge reception and appropriation. One is the vernacularization of astronomical knowledge, wherein concepts and practices were registered into vernacular languages and literature. This can be seen in the translation of astronomical terms and names, their usage as literary devices in poetry and prose, and the amalgamation of indigenous and foreign astrological concepts and practices. The other is the religious appropriation of modern astronomical knowledge, wherein religious institutions and individuals (i.e. Christian) interacted with modern science through defining science from a religious perspective, scientifying the religious cosmic order, and revising creation narratives. The study intends to contribute to the growing body of historical studies on scientific knowledge production, reception, and appropriation, with an emphasis on the cultural contexts around and in which the sciences were produced, developed, received, and used.	2023-04
Romano, Jennifer Lyn M. (Master's)	College of Mass Communication	Dalan: Exploring the Development of Cinemagoing in Mid-twentieth-century Naga City, 1923-1970	February 2023 up to present	This thesis looks into the emergence and development of stand-alone movie houses in the “pilgrim city” of Naga through an exploration of extant materials from the archives and the people’s memories of early cinemagoing culture. Economic, agricultural, and industrial improvements at the turn of twentieth century in Naga and the rest of Bikol paved the way for hybrid networks and interrelations as it attracted immigrants seeking opportunities for business enterprise. As it coincides with the beginnings of cinema in the Philippines, cine or exhibition business was among these. This study looks into the initial phase of cinema development in Naga, with particular attention to Bichara theaters as one of the most prominent cinema theaters in Bikol, and how these movie houses produced spaces for networks and relations in which ‘local’ (city, region, and the people) and ‘wider’ (colonizers, immigrants, cinema, technology) forces meet. Furthermore, it explores how these spaces have shaped and influenced Naga’s culture and social life. In this process, it aims to contribute to the gap of knowledge that could potentially lead to a materially grounded path toward the region’s becoming.	2023-05
Mendizabal, Adrian D. (Master's)	College of Mass Communication	Towards the Open Image: A Dialectical Materialist Critique of the Long Cinematic Duration in the Cinema of Lav Diaz	February 2023 to July 2023	This study used the dialectical materialist framework developed by Marx, Lenin, and Mao to comprehensively analyze and unpack the internal contradictions of long cinematic duration in three levels: consciousness, self-consciousness, and reason. The first level, consciousness, engaged with the form and style of long cinematic duration. The second level, self-consciousness, overcoming the aesthetic limit of the first level, problematized the critical reception and the politics of contending recognitions of long cinematic duration. The third level elevated the inquiry to economic reason, by rationalizing long cinematic duration within the general economic the study presented the open image as a sublated and revolutionary reformulation of sphere. In conclusion, long cinematic duration constituting a guide to action and future practices in cinema.	2023-06
Salcedo, Rayjinar Anne Marie G. (Undergraduate)	Provincia:Lamentations	College of Arts and Letters	February to August 2022	The short stories in Provincia: Lamentations revolve around women in the rural who resist the colonial, catholic womanhood: intelligent, independent, great, ghostly women, women who care about other women, and women who love other women--cast in a rich landscape where the mystical exists in the everyday. All anchored in the town of Mayabo, a fictionalized version of my rural hometown Maragondon, the stories vary in time period, tone, mode, and realism, and they embody my multilingual, translational poetics that I call mustiness.	2022-01
Marasigan, Mike Anthony J. (Undergraduate)	DIGITAL MARKETING IN ONLINE THEATRE: Formulating the Appropriate Models of Publicity Strategies and Marketing Communications in Promoting an Online Performance Based on Maynard Manansala’s Tao Po	College of Arts and Letters	February to July 2022	This study aims to find out what models of publicity strategies and marketing communications shall be used in promoting an online performance. This would be applied in promoting an online performance based on Maynard Manansala’s Tao Po. The models that the study is looking for would be identified through applying different models in the production process and assessing their effectiveness. The study would explore the perspectives of audience on watching online performances, and assess these to know what models should be recommended. Through the recommendation, this study would help theatre scholars in the field of contemporary digital theatre. This would help the theatre community in promoting online or digital performances the right way.	2022-02
Cuenza, Eva P. (Undergraduate)	An Pagsarakiki: An exploration of the musical and historical morphosis of Waray Kuratsa	College of Music	February 2022 to _____*	This study will focus on how music played its part in sustaining this folk tradition. The exploration of kuratsa music and its subtle interdependence with society resulted in the discussions as to why people were able to continue observing this dance tradition. I argue that the adaptability of how the tradition was negotiated became a catalyst to the fluidity of transmission. I will support my argument with 1. in-depth analysis of music scores that will show the confluence of variations that made this dance music flexible to change; 2. elucidating the impact of music technology as an important agency in steering the course of music traditions like recording and performance practice innovations; 3. sociological assertions that incorporate the dance tradition in social functions like raising funds. These are important postulations that are not just to uncover the significance of kuratsa as an identity marker for the Waray people, but also as an attempt to understand how and why they convey these sentiments through cultural expression.	2022-03
Hernandez, Fredyl B. (Master's)	Ang Estetika ng Dayalogo sa PETA ARTS Zone Project, isang Adbokasiyang Panteatro ukol sa Positibong Disiplina	College of Arts and Letters	February 2022 to _____*	Ito ay isang adbokasiyang pandula na nagsusulong ng karapatang pambata partikular ang karapatang maproteksyunan sa karahasang nakakubli sa pagdidisiplina gaya ng nasa likod ng pamamalo, pananakit, paninigaw, pamamahiya, at iba pang korporal na pagpaparusa. Isinusulong ng adbokasiya ang positibong disiplina bilang alternatibo sa karahasan ng korporal na parusa.	2022-04
Canlas, Arvin Daniel R. (Undergraduate)	Years When Dad Was Inside	College of Mass Communication	January 2021 to _____*	Under the idea that the “family” is one of the most prominent and influential units of our society, thus, directly corresponding to the concepts of “home” and “community,” this thesis dissects the notions of what it is like to be a “family” amidst the various adversities that we are being made to suffer under. In this instance, these adversities pertain to the current revolting practices in the guise of a “war” on drugs, and the persistent poor economic conditions that force our countrymen to go and earn a living in foreign seas.	2021-01
Magaling, Christian Lemuel M. (Master's)	Imperial Temporalities, Insurgent Futures: Comparisons of 20th Century Political Thinkers in Indonesia and the Philippines	Asian Center	Feruary 2021 to March 2022	This study shall be significant in three ways: firstly, this is significant in decolonizing the approach to Intellectual History. The process of doing intellectual history has become rigid in the sense that some of its practitioners approached it from a limited perspective as a relation between the colonial/"source" and the colonized/"receiver." Secondly, in connection to the aims of decolonization, this study reiterates the importance of placing time to its theoretical plane; which is temporality, in understanding the region as an area of study. Lastly, to forward in our field of vision the interest of studying available materials from Southeast Asia and refrain from looking at the immediate past as purely a construct of colonialism but to tackle political discourses of revolution, labor, temporality, future and motion of history using political thinkers indigent from the region.	2021-02
Ocampo, Andrew Jaye Q. (Master's)	The Methodology of Three Philippine Community Rondallas	College of Music	November 2020 to September 2021	In the Philippines, no previous studies have explored rondalla pedagogy in a digital setting. This study, through a digital ethnography, will explore the Pedagogical Content Knowledge (PCK) employed by the three selected community rondalla groups in the Philippines such as Sariaya Quezon Community Rondalla, Kabataang Silay Community Rondalla Ensemble, and Dipolog Community Rondalla via video conferencing, recorded rehearsals and performances, and interviews that will be analyzed through thematic-content analysis and triangulation. From the observation and analysis, this study assumes that the three groups will have their local Pedagogical Content Knowledge (PCK) which might be related to establish rondalla methodology such as Celso Espejo method, Calubayan method, De Leon method and Pasamba method.	2021-03
Rosette, Judith Camille E. (Master's)	The Nature of Design: Ontological Perspectives on Design Solutions for Climate-Related Disasters in the Philippines	College of Arts and Letters	January 2021 to _____*	The study revolves around design initiatives implemented in response to climate-related disaster in the country. In recent years, design has been positioned, both as method and output, as capable of bringing forth innovative solutions to various problems, including those under the scope of environmental issues. This conception comes at odds with design’s historical complicity in the rampant production of things, and hence, in ecological crisis. The study proposes an opening up of the ways in which we view design practices, in that the tension between design’s role is regarded as philosophically productive. Specifically, we look into three distinct projects, (1) a personal flotation device made out of used fishnet and discarded plastic bottles in a coastal community in Negros Occidental, (2) floating shelter and agriculture structures in flood-prone barangays in Pampanga, and (3) a disaster preparedness program, adopted from Japan’s Iza Kaeru program, that utilizes gamification as pedagogical tool to teach children how to prepare and what to do during disaster situations.	2021-04
Baylosis, Allen B. (Undergraduate)	Performing Chamber Theatre: Performance by the Theatre-maker , the Performers, and the Spectators (formerly, Chamber Theatre as Performance: An Analysis, Adaptation, and Staging of Nick Joaquin's 'The Summer Solstice')	College of Arts and Letters	January to June 2020	This aims to understand the process involved in the Chamber Theatre production of The Summer Solstice. This research also is a means in reintroducing Chamber Theatre as a technique for staging prose fiction texts and hopes to serve as a pioneering study that will help promote Performance Studies as an academic discipline in the Philippines.	2020-01
Corpuz, Dianne Leslie R. (Undergraduate)	BUGTUNGAN: Makata ng Bayan: Designing a Board Game Promoting Filipino Riddles Among Young Filipino Adolescents Ages 12 to 16 Years Old (formerly, BUGTUNGAN: Designing a Board Game Promoting Bugtong among Young Filipino Adolescents Ages 12 to 16 Years Old in Urban Areas)	College of Fine Arts	January 2020 to February 2021	The researcher proposes creating an educational board game which will mainly feature bugtong. With a board game, players can share experiences while playing with family and friends face-to-face. To heighten the experience and also conform with the tradition, the oral aspect shall also be retained. The bugtong board game aims to encourage players to create their own bugtong based on modern subjects that they would mostly relate to.	2020-02
Ramolete, Aina Ysabel B. (Undergraduate)	Theatre in the Time of Covid: Pakikipagkapwa in the Process of Creating an Online Filipino Puppet Production of the Little Prince (formerly, Tungo sa Maka-Pilipinong Pagtatanghal: Pakikipagkapwa in the Process of Staging and Performing a Filipino Puppet Production of the Little Prince)	College of Arts and Letters	January 2020 to June 2021	This study aims to analyze the process of performing puppetry in Teatrong Mulat's production of the Little Prince through the relations built during its production using the Filipino psychology concepts loob at labas, pakikiisa and pakikipagkapwa. The study hopes to explore how these notions help determine the Filipino in Philippine puppetry.	2020-03
Manalo, Maria Regina M. (Master's)	Written on the Body: Counter Narratives and Experience of Victimhood: A Framework for the Curation of a Memorial for Transitional Justice	College of Arts and Letters	January 2020 to _____*	Central to the project of this thesis is the concept and practice of curation and the "curatorial" in its multivalent registers: as legal dictum, as moral duty, as artistic gesture and as formation of pedagogy for social issues focusing on human rights. The key concept that threads these registers together is the notion of curation as transformstive, mediating among the conflicting discourses of victimhood, the law, and politics.	2020-04
Coronel, Ma. Margarita M. (Undergraduate)	The Black Nazarene Procession (Translacion): A Study of Devotees' Motivation (formerly, The Black Nazarene Procession (Translacion): A Study of Pilgrims’ Motivation)	Asian Institute of Tourism	January to June 2019	The study aims to explore the motivations of pilgrims outside Metro Manila who travel to Quiapo specifically for the Feast of the Black Nazarene, to identify their reasons why they choose to take part in the Translacion and to know the relationship between religion and tourism in the context of the Black Nazarene.	2019-01
Lacsamana, Bronte H. (Undergraduate)	Bukas Mata	College of Mass Communication	January to July 2019	The film works around the framework of magical realism wherein the mythical or folkloric is incorporated and accepted in the rational world. It is highly political as it strives to explain the existence of what might be strange or taboo to urban society, but is actually happening elsewhere in the world. In the film, the framework was used to portray the protagonist's struggle to understand the arrest of his mother, why people react to the event as if it's unusual and taboo, its context and implications, in such a way that is accessible to his young but troubled mind.	2019-02
Loreto, Roman Gerard N. (Undergraduate)	MALAYA: The Therapeutic Functions of Gay College Students’ First Sexual Identity Disclosure (Re)Performance in the Construction of their Perception on the ‘Coming Out’ Phenomenon (formerly, MALAYA: The Therapeutic Functions of Gay College Students’ (Re)Performance of their First Gender Disclosure as Reflected in their Self-Written Oral Interpretation Pieces)	College of Arts and Letters	January to May 2019	This qualitative study explores how UP gay college students make sense of the phenomenon of coming out while still keeping their gender identity from at least one significant member of their families. Gay men undergo pre-therapy interview to explore the struggles, sentiments, and emotions about their gender identity concealment to their families. Dramatherapy, as a tool, is ultilized to stimulate the process of gender identity disclosure's role to their self-concept. Through an oral interpretation self-revelatory performance, the study aims to evaluate the functions of performing a "coming out" where each detail was planned and decided by the participants themselves - a coming out experience that is near impossible to happen.	2019-03
Garcia, Gail Goodrich P. (Master's)	The Drawn Negative: Alternative Photography to Depict Liminal Spaces	College of Fine Arts	January 2019 to August 2022	The thesis asserts that integrating Photography with another appropriate art process, the resulting hybrid method can produce pictures that provide liminal subjects like Myth tangible embodiment in the real world. This is an art process that combines Drawing with Photography to produce hand-made negatives for creating physical prints through traditional photochemical processes. The purpose is to restore Photography's "objecthood" and somehow mitigate the effects of the printed photograph's disappearance from our daily lives and to generate both negatives and prints as a nod to photography's analog roots. This will also help educate young digital camera enthusiasts about the principles that make creating pictures possible.	2019-04
Ledesma, Maria Patricia N. (Master's)	UMBILICUS: An Exploration of Spatial Conditions that can Create Experential Metaphor for the Cyclical Process of Inner Healing	College of Fine Arts	January 2019 to February 2022	In response to the escalation of suicide rates in the youth and the growing number of individuals undergoing depression today, the researcher/artist intends to participate in the theme of art as a way of healing. From her personal experiences of coping with depressive states evolves an intuitive spiritual practice that integrates beliefs from various spiritual traditions. She proposes to present a metaphor for her experience of this continuing cyclical process as visual dialogue, using space as the primary material to stand as metaphor for the self.	2019-05
Reyes, Jayneca Jeselle C. (Master's)	Contemporary documentary filmmaking in the Philippines through the lens of women documentary filmmakers from 2000-2017: A research-based film	College of Mass Communication	January to November 2019	The research attempts to address the gaps in literature and contribute to framing documentary filmmaking practice using a gendered perspective. It aims to accomplish this by highlighting the rise of women filmmakers in contemporary documentary filmmaking practice in the Philippines from 2000-2017. Specifically, it will explore the perspective of women filmmakers about the practice of documentary filmmaking.	2019-06
Garambas, Cynthia D. (Doctoral)	Continuing a Time-honored Praxis through Characterization of Traditional Smoked Pork Delicacy (Kinuday)	College of Home Economics	January 2019 to October 2021	The research project aimed to develop science-based value adding techniques to ensure food safety, consistent quality, and high market acceptability of etag and promote its commercialization as ethnic delicacy of the Cordillera.	2019-07
Peña, Romeo P. (Doctoral)	Naratibo ng Lukad sa Ating Gunita: Ang Industriya ng Niyog sa Kasaysayan at Panitikang Pilipino, 1940-2018	Tricollege	January 2019 to September 2020	Sasaklawin ng pananaliksik na ito ang industriya ng niyog sa Pilipinas ngunit ilalapat ang malikhain at mapanuring paraan ng pagtuklas sa pamamagitan ng paggunita sa mga naratibong pangkasaysayan o mga talang pangkasaysayan na direktang tumutuon sa industriya ng niyog sa Pilipinas at mga naratibong pampanitikan o mga akdang pampanitikan na ang paksa ay tuwirang pumapatungkol sa niyog --kultura at industriya nito sa ating bansa.	2019-08
Descallar, Ma. Rosa Angelica A. (Undergraduate)	Developing an Illustrated Children’s Book for Healing Therapy Material for War Torn Children of Marawi	College of Fine Arts	January to October 2018	This can be used in advancing bibliotherapy or reading therapy research and can help children recover from emotional distress from war. Self-healing through reading can be used as an alternative or complementary option in therapy if direct communication with a psychologist is not available.	2018-01
Mirando, Mark B. (Undergraduate)	Liham sa Ama : Unang Dibuho (formerly, Brief An Den Vater: Pagsasaentablado ng Isang Devised na Pagtatanghal Base sa Liham ni Franz Kafka sa Kanyang Ama at Ibang mga Materyales)	College of Arts and Letters	January to October 2018	Ito ay naglalayong ilahad ang proseso sa pagsasaentablado ng isang pandulaang pagtatanghal base sa liham ni Franz Kafka sa kanyang ama gamit ang "devising" bilang pangunahing istratehiya ng pagsasaentablado. Makapag-iiwan ang proyektong ito ng kontribusyon hindi lamang sa mag-aaral, mananaliksik at mga artista ng dulaan, kundi pati na rin sa lupon ng mga mananaliksik sa larangan ng theatre studies, panitikan, kasaysayan, politika at sosyolohiya.	2018-02
Lumbao, Annie Dennise P. (Master's)	Linescapes: Aestheticizing Chaos of Urban Infrastructure	College of Fine Arts	January 2018 to August 2019	The project uses a number of processes (photography, drawing, animating, transcoding, digital media, and video) and relate to the idea of the flaneur by Charle Baudelaire, and Merleau-Ponty's phenomenology, which reflect embodiment, movement and becoming while applying countermapping strategies. Carefully orchestrating the visual elements of urban infrastructures with the aforementioned processes, the researcher tries to heighten the legibility of the dysfunctional aspects of the city.	2018-03
De Castro, Llenel G. (Master's)	The Social Value of Heritage: The Youth of the Dewil Valley and the Impact of the Palawan Island Paleohistory Research Project (PIPRP)	Archaeological Studies Program	January 2018 to February 2020	This aims to explore the youth's conceptualisations of their heritage and to assess the impact of the learning activities carried out. It is based on the outputs of the various activities, on the outcomes of previous public initiatives of the PIPRP and observations made by the facilitators during the program's duration. In doing so, the study intends to examine the social value of archaeological heritage according to the youth of the Dewil Valley, and provide insights on how we can better engage the youth in conservation.	2018-04
Acuña, Arbeen R. (Master's)	Dayalektika ng Kaliwanagan: Ang Nakalarawang Noli Me Tangere	College of Arts and Letters	January 2018 to August 2019	Muling inilimbag bilang tomo ang maaaring unang pagsasakomiks ng nobela ni Rizal, ang Nakalarawang Noli me Tangere (NNMT), noong 1956, taon kung kailan isinabatas ang RA 1425 o Rizal Law na siyang dahilan kung bakit may PI 100 o kursong Rizal sa rekisitong kunin ng mga estudyante bago matapos ng kolehiyo. Mula rito, sisipatin ng tesis kung paano nakikipagtagisan, nagnenegosasyon, sumasang-ayon at/o kumokontra sa nasyonalismong opisyal ang NNMT, kung saan posibleng nagmula ang bagaheng ideolohikal nito at kung paano ito kumakawala rin sa ipinamamandila nitong konsepto ng "bansa." Isasakasaysayan ng NNMT at suriin upang mabigyang-halaga ang naging papel nito sa nagpapatuloy nating paghahanap ng identidad at pagbubuo ng "bansa" at abstraktong pagka-Pilipino, na makikita nating hindi maiiwasang maiugnay sa kasaysayan ng kolonyalismo at nagpapatuloy na pananalasang daloy ng kapital at mga polisiyang neoliberal. Sa tunggalian sinisikap resolbahin ng NNMT, mauunawaan ang milieu nito at halaga nito sa ating panahon.	2018-05
Gonzales, Vladimeir B. (Doctoral)	Pagsasalin ng mga Dula sa Akademya at ang Pagtatanghal ng Paglalaho: mga Tala, Paglalapat at Paghihimay	College of Arts and Letters	January 2018 to August 2019	Mapapatingkad ng disertasyon ang papel ng pagsasalin, panitikan at dula sa paghubog ng mga kritikal at mapagpalayang iskolar at artista, habang nagbibigay din ng koleksyon ng mga saling maaaring magamit sa mga produksyong pampaaralan sa hinaharap.	2018-06

Various units in UP Diliman began conducting online or virtual exhibits in 2020 and continued during the present pandemic. These exhibits aim to make archived knowledge, ideas, and information in a variety of subject areas accessible through the web, thereby contributing to the growth and expansion of exchanges and engagements through online technology platforms.

The OICA mini library consists of Arts and Humanities Collection which aims to help students, faculty and researchers. This page provides a list of resources in print available at the UPD-OICA office, for room use/sale.

Advisory: At present, visits to the OICA Library are currently by appointment only.

For inquiries, please send an email to oica.upd@up.edu.ph

Title	Author/s	Year of Publication	Photo	Accessibility	Short Description
Digitization & Performance of Asian Music arranged for guitar ensemble by Lester Demetillo	Department of Strings and Chamber Music, College of Music, UP Diliman	2024		Room Use Only	The project aims to digitize the works of Maestro Lester Demetillo, a distinguised Filipino guitarist and pedagogue who transcribed and arranged countless works for the classical guitar ensemble from both local and foreign music, greatly contributing to the history and practice of classical guitar in the Philippines.
Upskilling handbook: Workshop Proceedings and Guide to Developing Modes of Care in Curatorship	Cultural Center of the Philippines	2024		Room Use Only	A handbook that contains the ideas, conversations, presentations, lessons, and research efforts that were developed and took place during the Upskilling on performance and visual arts curation intensive workshop.
Marcos Lies	Ariate, Joel F., Jr. Del Mundo, Larah Vinda Reyes, Miguel Paolo P. UP Third World Studies Center (TWSC)	2022		Room Use Only	Marcos Lies is a compilation of thirty-one research essays that discuss in detail the various lies that the Marcoses have either concocted or have done nothing to stifle, lies that aided them in pursuit of power and plunder. This book shows how the lies were crafted, who enabled the Marcoses to foster their falsity on their targeted audience or those who knew the truth but have chosen to be silent. It is one of the outputs of The Marcos Regime Research program of the UP Third World Studies Center (TWSC).
Faces of Faith : Treasures of the Santiago Apostol Parish, Betis, Guagua, Pampanga	Canta, Marilyn R. Paulino, Roberto G. (eds.)	2022		Room Use Only	The publication is a partnership between the Department of Art Studies, College of Arts and Letters, University of the Philippines Diliman and the St. James the Apostle Parish, Betis Guagua, Pampanga. It highlights 20 objects culled from the church collection.
A History of the University of the Philippines Volume Two: 1943-1975	Cruz-Lucero, Rosario et al.	2021		Room Use Only	The second book in a three-volume series. This volume is a tribute to the UP Community who were heroes of the Second World War, of the First Quarter Storm of 1971, and of the Coronavirus 2019 pandemic.
Museum Management Training : Directory of HEI Museums	Museo Kordilyera	2021		Room Use Only	A directory of HEI Museums, not yet a final list and still a work in progress. The HEI list of museums are from the participants of the Museum Management Training (Year 1, Levels 1-3) and online sources.
Museum Management Training for HEIs: Transforming University Museums as Sites of Cultural Education and Creativity Tourism Destinations (Proceedings of Level 2 Museum Management Training February 25-March 31, 2021)	Torres, Anna Christie V. (ed.)	2021		Room Use Only	Proceedings of Level 2 Museum Management Training held on February 25-March 31, 2021.
Museum Management Training for HEIs : Transforming University Museums as Sites of Cultural Education and Creativity Tourism Destinations (Proceedings of Level 1 Museum Management Training October 14-November 31, 2020)	Torres, Anna Christie V. (ed.)	2021		Room Use Only	Proceedings of Level 1 Museum Management Training held on October 14-November 31, 2020. It consists of the first three levels of skills and knowledge needed in establishing, managing and sustaining University Museums.
A History of the University of the Philippines Volume One: 1908-1943	Fajutagana, Leonora M. Cruz-Lucero, Rosario	2020		Room Use Only	This is the first book in a three-volume series. Volume one is a tribute to the contributors and editors of the Philippinensian yearbooks of the prewar era.
ADHIKA: Vision & Legacy The University of the Philippines Diliman Collections	De La Paz, Cecilia S. Guazon, Tessa Maria (eds.)	2020		Room Use Only	The output of the University Collection Mapping (UCM) Project which began in 2017 under Chancellor Michael Lim Tan; Its main goal is to update the 1986 inventory published in the UAC.
Cultural Center of the Philippines (CCP) Encyclopedia of Philippine Art, 2nd edition	Cultural Center of the Philippines	2020		Room Use Only	The most comprehensive source of information on Philippine art and culture. Volume 1-3 Peoples of the Philippines Volume 4 Architecture Volume 5 Visual Arts Volume 6 Film Volume 7 Music Volume 8 Dance Volume 9 Theater Volume 10 Broadcast Arts Volume 11- 12 Literature
Made in QC : The emerging essentials	RPD Publications	2020		Room Use Only	Made in QC 3 is a collection of MSMEs who have found opportunity in crisis. This book aims not only to document and highlight them, but to praise their resolve, creativity, and innovation during these ever-changing times. - Mona Celine Marie V. Yap
Made in QC : The Food Essentials	RPD Publications	2020		Room Use Only	The second edition of QC coffee table book. This edition featured food businesses that includes snacks, main dish, breads, beverages, etc.
Made in QC	RPD Publications	2019		Room Use Only	A coffee table book that showcase products proudly made in Quezon City. This first edition featured business on fashion, home, commercial and invention.
PASYAL: UP DILIMAN ART TRAIL	Guazon, Tessa Maria (ed.)	2017		For Sale Room Use	A revised version of the Pasyal walking around UP Diliman (2004); UP Diliman as a Pride of place in course of archeology, anthropology, arts and humanities, history, and linguistics
Florante at Laura by Francisco Balagtas, UP Centennial Edition	Almario, Virgilio S. (ed.)	2008		For Sale Room Use	The UP Centennial edition is a reconstruction of Francisco Balagtas's text by National Artist Dr. Virgilio S. Almario
Forming Lineage: The National Artists for Visual Arts of the University of the Philippines	Defeo, Ruben D.F. Flores, Patrick D.	2008		Room Use Only	An art book published to commemorate University of the Philippines Centenary—what the Institution has achieved during its first 100 years
Sites and Symbols 2: UP Diliman Landmarks	Alfonso, Oscar M. (ed.)	2005		Room Use Only	A 2nd volume book that pays tribute to the architects who constructed the buildings that defined the architectural landscape of UP Diliman
PASYAL: WALKING AROUND UP DILIMAN	Cañete, Reuben R.	2004		For Sale Room Use	A guidebook that serves as a comprehensive introduction to UP Diliman's historical and stylistic development in Philippine visual arts, landscaping and architecture
PASYAL SA UP DILIMAN (1st Edition © 2002)	Writer: Prof. May Datuin Designer: Prof. Gerard Lico Editorial Consultants: Prof. Eufracio C. Abaya, Prof. Patrick Flores, Prof. Gerard Lico	2002		Room Use Only	PASYAL SA UP DILIMAN (1st Edition, © 2002) is a mini tour booklet that guides the reader around the University of the Philippines Diliman and takes him/her to some of the public artworks and historical buildings on campus. The booklet is divided into 4 modules: The Academic Oval; Sculptures by Napoleon Abueva; Journey Through Philippine Modernism, and Places of Worship.
Bukod Tangi	Director: Prof. Grace Javier-Alfonso Executive Producer: Prof. Eufracio C. Abaya	2001		Room Use Only	BUKOD TANGI is a Video CD featuring performances by UP’s three premiere choral groups: the UP Concert Chorus, UP (Philippine) Madrigal Singers, and UP Singing Ambassadors. The repertoire comprises of Filipino and foreign songs, running the range of classical, folk, and popular expression set in distinct and cherished places around the University campus.
Sites and Symbols: UP Diliman Landmarks	Office of the Chancellor University of the Philippines Diliman	2000		Room Use Only	A publication on UP Diliman landmarks and its legacies
Philippinne History in Art: A Promenade to the Past	Defeo, Ruben D.F.	1996		Room Use Only	A catalogue and exhibit produced by the UP Diliman College of Fine Arts. It pays homage to Filipino people's and struggle for nationhood and independence
The University Art Collection General Catalogue, Volume Two The Don Jorge B. Vargas Collection	Art Inventory Committee, Office of the President, University of the Philippines	1987		Room Use Only	A catalogue of all the artworks in the Vargas Collection (1987). This also serves as a tribute to Don Jorge B. Vargas
The University Art Collection: General Catalogue Volume 1	University of the Philippines System	1986		Room Use Only	A publication that contains an organized survey and documentation of University of the Philippines artworks

OICA offers free access to online webinars and talks on arts, culture, and the humanities. Check out the list below.

Note: To learn more about a particular webinar/talk in the list, please send an email to oica.upd@up.edu.ph

Poster	Title	Proponent/ Project Lead/ Unit	Description	Date of Event/ Platform	Watch Here
	UP Diliman Kanlungan Talk Series Episode 1: Kumusta ang paglikha ng sining sa panahon ng COVID-19?	UPD-OICA	Kumusta na ang kalagayan ng mga artista at kultural na manggagawa sa UP Diliman sa panahon ng pandemic? Paano sila bibigyan ng kanlungan? Bilang artista, anu-ano ang mga maaari nating gawin? Anu-ano rin ang maaaring matutunan sa panahon ng health crisis? Kasama si Prop. Cecilia S. De La Paz bilang tagapagdaloy at mga tagapagsalita na sina Prop. Toym Imao, Prop. Josefina F. Estrella, Prop. Rolando Tolentino, Prop. Josefino Chino Toledo, at Prop. Patrick Flores.	8 Mayo 2020 (Biyernes), 3:00 - 4:30 n.h. UP Diliman OICA Facebook page	YouTube, Facebook
	UP Diliman Kanlungan Talk Series Episode 2: Paano masisiguro ang kapakanan ng mga artista sa panahon ng krisis?	UPD-OICA	Napapanahong pag-usapan ang kapakanan (welfare/well-being) ng mga artista ng bayan at kultural na manggagawa. Ang well-being ay hindi lamang danas na tumutukoy sa kalusugan, bagkus sinisiguro rin na ang pamumuhay ay may kaligtasan, kasiyahan at kaginhawahan. Kukumustahin natin ang kalagayan ng mga artista at estudyante sa entablado – teatro at sayaw, sa ikalawang episode ng UP Diliman Kanlungan Talk Series, handog ng Office for Initiatives in Culture and the Arts. Kasama si Prop. Monica Santos ng UP Diliman Departamento ng Antropolohiya, Nanding Josef (Artistic Director, Tanghalang Pilipino), Jennifer Lee Bonto (Executive Director, Artists Welfare Project Inc.), Ivan Boloron (student of the UP Dance Program) at Issa Manalo Lopez (graduate student, MA Theatre Arts).	5 Hunyo 2020 (Biyernes), 3:00 n.h. UP Diliman OICA Facebook page	YouTube, Facebook
	Layag sa Karagatan: Kultura, Agham at Kasaysayan	UPD-OICA, UP Diliman College of Science, National Quincentennial Committee	Pinag-usapan dito ang iba’t ibang daloy ng karanasan - ang mga naratibo ng karagatan at alon ng tubig na may epekto sa karanasang Pilipino; mga perspektiba sa materyal na kultura na naka-ugnay sa kaligiran ng karagatan; at ugnayan ng Pilipinas sa iba’t-ibang kultura sa mundo. Kasama si Prop. Tessa Maria Guazon bilang tagapagdaloy at mga tagapagsalita na sina Dr. Maria Bernadette L. Abrera, Dr. Norma A. Respicio, at Dr. Benjamin M. Vallejo Jr.	28 Abril 2021 (Miyerkules), 3:00 n.h. UP Diliman OICA Facebook page at Zoom	Facebook
	Sining at Kamalayang Pilipino	UPD-OICA	Ang webinar ay nagtatampok ng mga piling iskolar sa sining Pilipino sa pagdalumat ng ugnayan ng sining at kamalayang Pilipino. Hangarin ng mga panayam na makapagbahagi ang mga pantas sa sining Pilipino ng kanilang mga kaisipan, saloobin, at tunguhin ukol sa ugnayan ng sining at kamalayang Pilipino sa konteksto ng nagbabagong kondisyon ng ating lipunan. Ang mga imbitadong pantas na nagbigay ng panayam ay sina Pambansang Alagad ng Sining para sa Panitikan Virgilio Almario, Pambansang Alagad ng Sining para sa Musika Ramon Santos, Professor Emeritus Nicanor Tiongson, at Prop. Felipe De Leon, Jr. Kasama sina Prop. Elizabeth Enriquez at Prop. Ma. Crisanta Nelmida Flores bilang mga tagapagdaloy.	23 Pebrero 2022 (Miyerkules), 9:00 n.u. - 12 n.t., 1:00 - 5:00 n.h. UPD-OICA YouTube channel at Zoom	YouTube
	UP Diliman Kanlungan Talk Series Episode 3: Kababaihan, Sining Pilipino, at Komunidad	UPD-OICA, UP Diliman Gender Office	Bilang ambag sa pagdiriwang ng Buwan ng Kababaihan tuwing buwan ng Marso, nagdaraos ng webinar ukol sa ugnayan ng sining Pilipino, kababaihan, at komunidad bilang usaping kamalayan. Tatalakayin ng mga artistang kababaihan ang naging landas, mga hamon, at direksiyon ng kanilang pagdalumat sa sining Pilipino at proseso ng paglikha. Pinadaloy ang diskurso mula sa kanilang mga likha o identidad bilang babae sa sining sa kung paano nito hinubog, at patuloy na hinuhubog, ang kanilang praksis at komunidad. Nakapanayam natin sina Prop. Roselle Pineda, Prop. Lisa Ito-Tapang, at Bb. Ana Patricia Non, at nagsilbing tagapagdaloy si Prop. Lousie Jashil Sonido.	2 Marso 2022 (Miyerkules), 2:00 - 5:00 n.h. UPD-OICA YouTube channel at Zoom	YouTube
	Kaloob-Saliksik: Bahaginan ng mga Artista-Iskolar ng UP Diliman	UPD-OICA	Bilang kaloob o ambag ng mga iskolar ng CCTGACH, PASP, at VACSSP (2017-2022) mula sa larangan ng Humanidades, Agham Panlipunan, Sining Biswal, at Musika, ang online kolokyum ay naglalayong maibahagi ang kanilang mga pag-aaral ukol sa sining, lipunan, at sangkatauhan; at makapagbukas ng espasyo para sa mas malalimang talakayan ukol dito. Magkakaroon ng apat na panel session na nakaangkla sa mga sumusunod na tema: 1. Performance, mga Tradisyon, at mga Adbokasiya 2. Pagka-Pilipino: Konsepto at mga Isyu 3. Dinamika ng Pagsasalin 4. Sining at Espasyo	8 Marso 2023 (Miyerkules), 8:30 n.u. - 4:30 n.h. UPD-OICA YouTube channel at Zoom	YouTube, Book of Abstracts