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UP Diliman Official Student Performing Arts Groups (OSPAG)

UPD HASPAG awardees for 2023-2026: UP Concert Chorus (UPCC), Kontemporaryong Gamelan Pilipino (Kontra-GaPi), The UP Repertory Company (UPRep), The U.P. Singing Ambassadors (UPSA), and Tugtugang Musika Asyatika (TUGMA)


The UPD Honorific Award for Student Performing Arts Group (HASPAG) is a support program for student performing arts groups of UP Diliman. The duration of the award is three years and provides qualified groups an annual creative work grant of PhP250,000 per year for the group’s major productions, and the honorific title “Official Student Performing Arts Group” (OSPAG) of UP Diliman.


UP Concert Chorus
The UP Concert Chorus (UPCC), or simply Korus, is an official performing group of the University of the Philippines Diliman. Established in 1962 under the leadership of the late Dean Reynaldo T. Paguio, Korus has become a veritable icon of choral performance arts in bridging musical genres such as classical, folk, pop, and Broadway, and as the pioneer of ChoreoCapella or choreographed a capella in the Philippines. With Prof. Janet Sabas-Aracama at its helm today, Korus continues to revolutionize the scene as an internationally-acclaimed performing group with prestigious awards such as the Grand Prix at the 6th International Krakow Choir Festival in Poland in 2015 besting 23 other choirs from all over Europe and the USA.
Email Address: upconcertchorus@gmail.com, theupconcertchorus@gmail.com


Kontemporaryong Gamelan Pilipino (Kontra-GaPi)
Kontemporaryong Gamelan Pilipino, more popularly known as Kontra-GaPi, was appointed resident gamelan or ethnic music and dance ensemble by the Dean of the UPD College of Arts and Letters (CAL) in February 1993.
Kontra-GaPi strives to express music and kindred arts from indigenous well-springs, using ideophones such as the kulintang and gangsa; chordophones like the hegalong and kulibet; aerophones such as the diwdiw-as and esmi; membranophones like the debakan and solibaw; and Cordilleran drums of varying sizes and shapes.
The group was formed by Prof. Pedro R. Abraham Jr. of CAL’s Department of Arts Studies in 1989 when he was asked to conceive a score for Dulaang UP’s production of August Strindberg’s “A Dream Play.” The music, for its ‘stunning exotic appeal,’ consistently received excellent reviews by critics, academics, students and regular theater-goers alike. This encouraged the then ad-hoc band to transform itself into an independent performing organization.
Over the years, the ensemble has presented more than a thousand shows for audiences of all types and age-groups in all kinds of venues, much more if one includes lecture-demonstrations, workshops in music and dance and other types of engagement.
For its commitment to Philippine culture and the arts, UP Kontra-GaPi was named an Official University Performing Arts Group under the UP Diliman HASPAG Program from 2016 up to the present.
Email Address: kontragapi@gmail.com


The UP Repertory Company
The UP Repertory Company (UP Rep) is a student theater organization established in 1972 by the late artist-activist Behn Cervantes as a socially responsible performing group, given deteriorating social conditions prevalent during the Martial Law period.
UP Rep’s wide repertoire of plays are written by National Artists and acclaimed writers. It has produced talents, most of whom are successful in their chosen field and has performed in venues outside the University.
For its commitment to Philippine culture and the arts, UP Rep was named an Official University Performing Arts Group under the UP Diliman HASPAG Program from 2016 up to the present.
Email Address: theup.repertorycompany@gmail.com


The U.P. Singing Ambassadors
The University of the Philippines Singing Ambassadors (UPSA) is one of the Philippines’ foremost choral groups. It was founded on August 12, 1980 by internationally-renowned conductor Edgardo Manguiat. From its humble beginnings at the Kalayaan Residence Hall of UP Diliman, it has gained recognition in prestigious choral competitions all over the world including the first Asian choir to win the Grand Prize in the Concorso Polifonico Internazionale Guido d’Arezzo in Italy twice (in 2001 and 2018). Today, this amateur choir with professional aspirations and an international prominence remains to find fulfillment in sharing their music to the less privileged who are constant recipients of their musical generosity through fundraising activities.
Email Address: upsa21@yahoo.com, theupsingingambassadors@gmail.com


Tugtugang Musika Asyatika
The UP Tugtugang Musika Asyatika (UP TUGMA) is an organization of Asian music student-performers in the country affiliated with the College of Music Department of Musicology. The organization was established to build and develop a more conscious audience base for Asian music and culture that has deep awareness of these traditions, and to raise the banner of Philippine indigenous music to the global community. In line with these, the organization regularly conducts workshops, field works, and performance nights. Members of the organization study and perform the Mindanao Kulintang Ensemble, the Cordillera Bamboo and Gong Ensemble, the Indonesian Gamelan, the Japanese Koto, the Chinese Sizhu and the Korean Samulnori.
UP TUGMA has represented and showcased Philippine music in a few cultural events abroad such as the International Country Music Week held in 2009 in Hunan, China, and the International Music and Dance Festival regularly held in Thailand years 2009, 2012, 2013, and 2015.
For its commitment to Philippine culture and the arts, UP TUGMA was named an Official University Performing Arts Group under the UP Diliman HASPAG Program from 2020 up to the present.
Email Address: tugtugangmusikaasyatika@gmail.com
UPD CCTGACH Applications Submission Form

Please read the application guidelines here.
Deadline for submitting requirements:
7 FEBRUARY 2025 (FRIDAY), 6:00 PM
For inquiries, please contact the program coordinator, Ms. Malou Arandia at 8981-8500 local VoIP 2659 or send an email to cctgach_oica.upd@up.edu.ph.
UPD-OICA RESEARCH AND EXTENSION AGENDA
The forms may be downloaded below:
UPD CCTGACH Application Forms 1 & 2
For evaluators / referees:
Thesis Proposal Evaluation Form
9.21 We will never forget—UP Diliman Day of Remembrance 2024


For UP Day of Remembrance 2024, UP Diliman hung banners around the Academic Oval to look back on and learn more about the events and experiences leading to the declaration of Martial Law until the EDSA People Power Revolution in 1986, which marked the restoration of democracy in our country and the end of the Marcos regime.
The banners included information on historical moments and atrocities related to the imposition of Martial Law in the Philippines. The outdoor exhibit ran from September 16 to 30, 2024.
Scroll down to see the online version of the exhibit.
Jabidah Massacre
18 March 1968
On 18 March 1968, at least a dozen Muslim military recruits were murdered in Corregidor. These trainees were part of “Operation Merdeka,” a secret operation with intentions to create disturbances in Sabah that would provide the justification for the Philippine government to take full control of the island. When the recruits protested their living conditions, they were disarmed, sent home, and others executed. This incident, known as the “Jabidah Massacre,” became one critical moment in influencing Moro insurgency against Marcos rule.
Manili Massacre
19 June 1971
In Manili, Carmen, North Cotabato, over 70 Muslims were murdered inside a mosque on 19 June 1971. This atrocity is believed to be the actions of Ilaga, a paramilitary group working with the Philippine Constabulary to eradicate Moro insurgency in Mindanao.
First Quarter Storm
January to March 1970
The First Quarter Storm refers to a series of demonstrations and protests from the months of January to March 1970. These events were organized by students, laborers, and peasants to raise issues regarding low wages, oil price hikes, authoritarianism, and US imperialism, among others. Filipino writer Pete Lacaba described this period as “days of disquiet, nights of rage.”
Plaza Miranda Bombing
21 August 1971
On 21 August 1971, the Liberal Party held a proclamation rally at Plaza Miranda where a large crowd assembled. At 9:13 p.m., a grenade was thrown onto the makeshift stage. A second grenade exploded a few seconds later. Nine people were killed and one hundred twenty-nine people were injured. Then president Marcos Sr. blamed the communists and suspended the writ of habeas corpus. Others believed that Marcos staged the bombing to justify his declaration of martial law in 1972.
Constitutional Convention
June 1971
In June 1971, 320 delegates convened to begin reviewing and revising the 1935 Constitution. The Constitutional Convention was controversial due to alleged bribery efforts to extend Ferdinand Marcos Sr.’s term limits. By November 1972, two months after Marcos declared Martial Law, the convention approved a draft that would give Marcos more power. Consequently, Marcos organized Citizen Assemblies where citizens would be asked if they approved of the new constitution. Despite opposition, the 1973 Constitution went into effect and Marcos succeeded in legitimizing his unbounded power.
MV Karagatan
3 July 1972
In 1971, the New People’s Army (NPA) negotiated an arms shipment from China. MV Karagatan, the ship carrying arms, arrived at the mouth of the Digoyo River in Isabela on 3 July 1972. The crew were unable to move the arms to the jungle as the military strafed and bombed the beach. This unsuccessful attempt by the Communist Party of the Philippines to bring in arms was later cited as one of Marcos Sr.’s rationale for imposing martial law.
Coco Levy Fund
19 June 1971
On 19 June 1971, Marcos Sr. signed Republic Act 6260, otherwise known as the Coconut Investment Fund. The law put into motion a taxation scheme that promised to fund the development of the coconut industry in the country. As a result, Filipino coconut farmers, who were already living in abject poverty, faced heavy taxes on their produce and saw reduced farm incomes. The multibillion fund was diverted by Marcos cronies, and to this day today, has not benefited the coconut farmers.
Ambush of Enrile
22 September 1972
On 22 September 1972, the car of Defense Minister Juan Ponce Enrile was allegedly attacked near Wack Wack subdivision in Mandaluyong. When Marcos declared Martial Law, he used this incident to demonstrate how the state of peace and order in the country were in dire straits. In 1976, it was revealed that the incident was staged and that Marcos Sr. had instructed Enrile to “Make it look good.”
Proclamation 1081
23 September 1972
On 23 September 1972, Ferdinand Marcos Sr. declared Martial Law in the Philippines. Among his reasons, he specifically cited the threat of a Communist force that obtained arms from China. Subsequently, leading figures of the opposition such as Benigno Aquino, Jr. and Jose Diokno were arrested. Marcos also authorized the military take-over of major media outlets such as ABS-CBN network, Channel 5, and other radio stations.
Miss Universe 1974 and the Construction of the Folk Arts Theater
1974
In 1974, the Folk Arts Theater (FAT) was constructed for the Philippine hosting of the Miss Universe pageant. The FAT was built in 77 days and was inaugurated in a ceremony entitled “Kasaysayan ng Lahi”. The Marcos government spent millions of dollars in infrastructure, which were primarily funded by foreign loans.
La Tondeña Strike
1975
In October 1975, workers from the La Tondeña distillery led by activist Edgar Jopson went on strike in order to fight for permanent working status and fairer wages. The strike was eventually broken up and the workers were arrested. Consequently, Marcos Sr. passed Presidential Decree No. 823 prohibiting all forms of demonstrations.
Malisbong, Palimbang Massacre
September 1974
In September 1974, around 1,500 Muslim men were massacred in Malisbong, Palimbang in Sultan Kudarat as part of the government’s campaign to quell the secessionist movement of the Moro National Liberation Front (MNLF). Today, the Commission of Human Rights consider this event as one of the most gruesome examples of the atrocities committed by the Marcos regime against Muslims.
Calauit Safari Park
1976
The Calauit Safari Park in Palawan was constructed in 1976, displacing hundreds of Tagbanwa. The park was intended to house different kinds of wild animals from Africa. It servesas a stark example of the grave abuses experienced by indigenous communities under Marcos rule and represents the excessiveness of the Marcos family.
Tasaday Controversy
1971
In 1971, Manuel Elizalde Jr., the Presidential Assistant on National Minorities (PANAMIN), claimed to have discovered a group of living stone-age people in the Philippines: the Tasaday. The discovery fascinated the international community and was even featured as a cover story of the National Geographic Magazine in 1972. Later, it was revealed that it was a hoax orchestrated by Elizalde and that the Tasadays were really individuals from the Manobo and T’boli indigenous communities.
Macli-ing Dulag
24 April 1980
Macli-ing Dulag, chief of the Kalinga Butbut, was murdered in his home by elements of the 44th Infantry Battalion on 24 April 1980. He fiercely opposed the Chico River Dam Project, which sought to construct hydroelectric dams that would submerge numerous villages, displace thousands of families, and devastate the people’s way of life, homeland, and livelihood.
Human Rights Violations Against Students
April 1973
On the night of 4 April 1973, men who identified themselves as members of the Philippine Constabulary Anti-Narcotics Unit barged into the home of the Hilao family. Liliosa Hilao, a student activist from the Pamantasan ng Lungsod ng Maynila, was taken away and was brutally killed in a detention cell at Camp Crame. The military falsely claimed that Liliosa committed suicide by drinking muriatic acid inside a male comfort room. Evidence showed that her body was subjected to torture and abuse. Liliosa’s case remains a testament to the various human rights violations committed against student activists.
The Tadhana Project
1970s
As part of his attempt to appear as an intellectual and president-scholar, Marcos Sr. assembled a team of historians in the early 1970s to produce a 21-volume history of the Philippines, which was to be credited to him. The Tadhana project was a state-funded, well-resourced endeavor. By the end of his presidency, only four of the supposed 21 volumes had been completed.
Lifting of Martial Law
17 January 1981
Under intense international pressure, President Ferdinand Marcos Sr. issued Proclamation No. 2045 on 17 January 1981, officially lifting martial law. However, in reality, Marcos maintained the extraordinary powers that were institutionalized in the Transitory Provisions under the 1973 Constitution.
Visit of Pope John Paul II
17 January 1981
With martial law “lifted,” and political prisoners, including priests, the stage was set to welcome the head of the Catholic Church, Pope John Paul II. While the Pope acknowledged Marcos Sr.’s efforts to restore a semblance of normalcy in the country, he delivered a pointed message: there is no justification, not even national security concerns, that could ever legitimize the violation of human rights.
Hosting of the 11th Southeast Asian Games
6-15 December 1981
The 11th Southeast Asian Games were held in the Philippines from 6 to 15 December 1981. Marcos Sr. hoped that the ability of sports to unify groups of people would also translate into the fields of economics, politics, and culture. The 1981 sporting event was used by the dictator to further reinforce authoritarian rule and to rehabilitate his image on the international stage.
Amnesty International Report
September 1982
The release of Amnesty International’s second report in 1982 coincided with Marcos Sr.’s 12-day state visit to the United States. The report documented 49 cases of serious human rights violations, including arbitrary killings, torture, and forced disappearances. In response, Marcos accused Amnesty International of fabricating evidence and manipulating witnesses.
Shutdown of We Forum
December 1982
In 1982, the headquarters of We Forum in Project 6, Quezon City was raided after it published an expose written by Bonifacio Gillego on Marcos Sr.’ fake war exploits. Their equipment was seized, and more than a dozen of its staff and columnists, including the editor-in-chief, Jose G. Burgos, were arrested. Subversion and libel cases were filed against the independent tabloid, which was part of the emerging “mosquito press” at the time.
Aquino Assassination
21 August 1983
Despite warnings, former Sen. Benigno ‘Ninoy’ Aquino Jr. returned to the Philippines after three years of self-imposed exile in the United States. Before he could set foot on Philippine soil, he was fatally shot in the back of the head by one of his military escorts. His assassination ignited massive nationwide protests, demanding justice for all victims of the regime’s abuse of power and calling for the resignation of Ferdinand Marcos Sr.
Civil Resistance
1983
The anti-Marcos opposition gained momentum after the Aquino assassination. The clamor soon evolved beyond calls for justice for Aquino, shifting from demands for power-sharing with the Marcos regime to outright demands for Marcos’s ouster. Sectoral rallies, where groups such as the urban poor, women, teachers, and artists condemned the Marcos government while voicing their specific grievances and interests.
Escalante Massacre in Negros
20 September 1985
The Marcos administration’s corruption and mismanagement of the sugar industry led to extreme poverty, starvation, unemployment and abuse of the sacadas (sugarcane workers) in Negros. In September 1985, thousands of Negrenses participated in the Welgang Bayan, where they demanded fair wages, due work benefits, and a stop to human rights violations by military and paramilitary units in the region. The government responded with high-powered rifles and machine guns, leaving 20 people dead and 24 wounded.
Announcement of Snap Elections
1985
By 1985, Ferdinand Marcos Sr. was losing his grip on power. The dictator was burdened by chronic illness, the economy was in freefall, and an opposition movement was gaining momentum. With the world watching, Marcos Sr. announced on the American public affairs TV program This Week with David Brinkley that he was ready to call a snap election in 1986 to secure a fresh mandate for his regime. The snap elections were held on 7 February 1986 and the official results were considered fraudulent.
EDSA People Power Revolution
1986
The massive fraud and violence of the 7 February 1986 elections triggered widespread protests nationwide, especially after thirty-five (35) COMELEC tabulators walked out of the Philippine International Convention Center (PICC) where the election results were being counted. When a coup attempt by an organized group of military officials called the Reform the Armed Forces Movement (RAM) led by Gringo Honasan, along with top officials of the Marcos regime Juan Ponce Enrile and Fidel Ramos, failed, Archbishop Jaime Cardinal Sin, through a radio broadcast, called on the public to join the protest by gathering at the Epifanio de los Santos Avenue (EDSA) in front of Camp Crame, to help protect the military officials who defected from the Marcos regime. The mass protest, dubbed as the “People Power Revolution”, culminated in his ouster and the restoration of democracy under the leadership of Corazon Aquino.
Acknowledgements
UP Diliman Office of the Chancellor
Ateneo Martial Law Museum and Library
https://martiallawmuseum.ph/
Human Rights Violations Victims’ Memorial Commission (HRVVMC)
https://hrvvmemcom.gov.ph/
Bantayog ng mga Bayani Foundation
https://bantayogngmgabayani.org/
Project Team
MONICA FIDES AMADA W. SANTOS
Project Head
MARK LOUIE L. LUGUE
Curator
JHUNIE PEARL SANCHEZ
Project Coordinator
RHODALYN WANI-OBIAS
LARAH VINDA DEL MUNDO
AARON VIERNES
LORENZO JOSE MARTINEZ
RISVEN ALLEN DELA PAZ
Researchers – UP Department of History
CYPRIAN JEREMIAH DAMOT
Graphic Designer
LUISITO MAINOT
RENCY PULIDO
JOHN EMERSON ROMANILLOS
Exhibition Staff
UPD-OICA RESEARCH and EXTENSION AGENDA: 2024-2026
UPD-OICA is the administrative unit tasked to provide the direction for artistic and cultural activities, projects, and engagements in and by UP Diliman. As the University comes out of the pandemic, which brought to the surface more vividly the social disparities within and beyond the University as well as the limitations in our infrastructure, UPD-OICA sees research and extension work in the fields of cultural studies and the arts as having a critical role in engaging with these issues.
Guided by the general themes of sustainability, equity, and justice, UPD-OICA encourages and supports projects that align with the following United Nations Sustainable Development Goals (SDGs):
Research, creative work, and special projects conducted in relation to the different programs of UPD-OICA, namely, Artist Support, Audience Development, Venue Development, and Cultural Exchange, are intended to provide a critical lens on how we can move forward on particular understandings, practices, and issues related to the following areas of special interest:
- Environment and ecology
- Creation and preservation of heritage
- The telling of history
- Social life in urban settings
- Science, technology and society
- Human diversity and inequality
- Globalization, global and local relations
- The ethics and aesthetics of/in design
- Work and operations in creative industries
- Transmission of indigenous and local knowledge and traditions
- Media and Information Literacy
- The arts and artistic trends
- Cultural Resource Management
- Use and preservation of material culture
- Governance in/of culture and the arts
- Social and culture change
- Community development, community engagement
- Community identity, community traditions
- Building inclusive communities and spaces
- Linguistic diversity
- Educational programs and institutions